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Roman 'Romy' Louis Gosz (August 2, 1910 Grimms, Wisconsin - August 29, 1966, Manitowoc, Wisconsin) was a popular and commercially successful polka musician in the upper Midwest. Gosz's music featured the Bohemian brass style and appealed to the many ethnic groups (Dutch, Bohemian, Belgian, German and Polish) found throughout the region. == History == Romy Gosz was born on August 2, 1910 in Grimms, Wisconsin to Paul and Anna Gosz, the fourth of their seven children. At age 7, Gosz would take his first and only piano lesson. When he told his piano teacher he would not be able to make his next lesson because he had a dance job, he was told "not to come back at all if you can play a job with one lesson".〔http://images.library.wisc.edu/WI/EFacs/MTWCImages/OccSeries/Monograph28/reference/wi.monograph28.i0001.pdf Robert Janda, "Entertainment Tonight: An Account of Bands in Manitowoc County Since 1900", pg. 6〕 When he was 11, Gosz joined his father Paul and his older brother's, George and Mike, in forming the Paul Gosz Orchestra. Their first job was playing at a silver wedding anniversary in Newton, Wisconsin. The very next night, they played a golden anniversary at the J.D. Prokash hall in Rockwood, Wisconsin and the night after that, the group played a sixtieth wedding anniversary dance.〔Don Dornbrook, "Wisconsin's Romy Gosz is the King of the Polka", Milwaukee Journal, April 9, 1945, Green Sheet pg. 1〕 A few years later, Gosz's father Paul decided to work more at his day job at the local lime kiln, Allwood Lime Company, and he handed the management of the family orchestra over to George. By 1928, leadership of the group had passed to Romy, who was barely eighteen at the time. Still a minor, Gosz was unable to conduct business and manage the band legally, so he retained his father's name for the group. Early on, Gosz determined that his group should focus on the making of records and live performances. He thought that playing over the radio on a regular basis would be detrimental to the band's traveling and the resulting opportunity to interact with their audiences.〔Victor Greene, "A Passion for Polka: Old-Time Ethnic Music in America", 1992, p. 165〕 On July 5, 1929, Gosz married Miss Antoinette Leggio at St. Ann Catholic Church in Francis Creek, Wisconsin, the same parish where he had attended school as a boy. The couple took up residence in a small home that Gosz and his father built in Rockwood. Over the next seven years, the couple would have five children (four sons and one daughter). In 1948, Gosz purchased a home with an adjacent Tavern and Dance Hall at "Polifka's Corners" (the intersection of Manitowoc County Road T and Polifka Road) near Kellnersville. Gosz and his orchestra cut their first record in 1930 at the Broadway studio in Grafton, Wisconsin. They recorded an old Bohemian tune called . Gosz commented that they did it "just to see what the band sounded like."〔 The recording of "Pilsen Polka" became a bestseller throughout the decade and was key to building Gosz's popularity. Later that same year, the band donated its services for the diamond jubilee celebration of St. Mary's Catholic church in Tisch Mills, Wisconsin. When the pastor, Father Rudolph James Hodik, went to Rome the following year for an audience with Pope Pius XI, he presented the pontiff with some of Gosz's recordings. Father Hodik returned home with a papal blessing for Gosz and the band. The papal blessing and a picture of Pope Pius were some of Gosz's proudest possessions and were displayed prominently in the Gosz home.〔Scottie Dayton, "Romy Gosz - The Man with the Golden Trumpet", Wisconsin Newmonth, November/December 1997, pg. 7〕 In 1931 Gosz found himself without a trumpet player. Gosz commented, "I knew where I could get a good pianist, but couldn't find a trumpet player, so I changed from piano to trumpet. I taught myself. In six months we made a recording with me double tonguing on the trumpet."〔 The Wisconsin American Legion was searching for a musical theme for its 1934 convention, when somebody heard Gosz's "The Prune Song". It was immediately adopted as the convention theme. Originally an old Bohemian waltz called "Sveskova Alej", Gosz increased the song's tempo and added some double tonguing to the trumpet part. This is typical of many of his recordings.〔 Today, the song is known as "We Left Our Wives Back Home"〔(Romy Gosz )〕 His recordings "Musical Clock" and "Picnic In The Woods" appeared in early country music charts printed by Billboard Magazine. By 1940, Gosz's band was very popular with the general Wisconsin audiences. It was around this time that a Sheboygan, Wisconsin radio station polled listeners for their favorite bandleader. In the one-week poll Gosz placed first, with a margin of seven hundred votes〔Eleanor Steinert, "Pride of the Polka Belt", Coronet magazine, November 1945, pg. 100〕 over the second place finisher, western bandleader, Gene Autry.〔Victor Greene, "A Passion for Polka: Old-Time Ethnic Music in America", 1992, p. 166〕 The national press soon took note of Gosz's popularity, with articles appearing in ''Billboard'', ''Coronet'',〔 ''Life'', ''Pic'', and ''Time''.〔"King of the Polka," ''Time'' magazine, June 25, 1945, p. 45〕 On June 9, 1948, Gosz took part in a battle of the bands at the Milwaukee Arena. Competing against Louis Bashell, Lawrence Duchow, Harold Loeffelmacher and the Six Fat Dutchmen, Whoopee John Wilfahrt, and Frankie Yankovic. At the event's conclusion, the title of "America's Polka King" was awarded to Yankovic. At their peak, Gosz and his bands were on the road six nights a week, returning home for a noon radio show on Sunday and then playing a park concert, picnic, or festival in the afternoon. The band would perform from 8:00pm to 1:00am, at a pace of up to fourteen songs per hour. At the end of the night, Gosz often played up to five encores. When asked about his schedule, Gosz said, "We're a tough bunch around here. We have to be. We recently played 52 consecutive nights and not one of my men missed a day on his regular job."〔 Gosz spent the majority of his travels in Wisconsin, playing a circuit of towns that included: Batavia, Bonduel, Denmark, Embarrass, Freedom, Jericho, Kimberly, Krok, Luxemburg, Poland, Pulaski, Royalton, Scandinavia, Slovan, Sobieski, Sugar Bush, Symco, Waterloo, and Zachow.〔Eleanor Steinert, "Pride of the Polka Belt", Coronet magazine, November 1945, pg. 98〕 Less frequently, Gosz played in Michigan, Minnesota, Nebraska and the Dakotas. Gosz handled all of his own bookings, and not being the most attentive businessman, he often double-booked his gigs. Whenever this happened, Gosz would hire a pickup band and play one engagement, and he would send his orchestra to work the other. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Romy Gosz」の詳細全文を読む スポンサード リンク
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